By Carrie Sheffield - 02/01/06 12:00 AM EST
In the wee hours of the morning at the Dirksen Building, you may hear the baritone strains of Frank Sinatra’s “My Way” or Simon and Garfunkel’s “Bridge Over Troubled Water” echoing off the granite walls and marble floors.
Don’t be alarmed. It’s not a ghost or a drunken staffer; it’s a practice session by Marnell Tanner, the superintendent in charge of nighttime maintenance requests for the Senate.
Tanner works the 10:30-p.m.-to-7-a.m. shift, responding to everything from broken drainpipes to failed lighting. “As far as complainers, it’s pretty bipartisan,” Tanner said of the work orders he receives from both Republican and Democrat offices.
As a break from the mundane happenings of facilities management, Tanner turns to singing. To help pass the hours and hone his talent, Tanner practices at least two hours a day on the job.
“When my associates leave the office, I go for it,” Tanner said. “I practices scales and exercises, never a complete song. It’s ugly. It would be embarrassing if someone were to record it.”
But over time, Tanner has been able to piece together enough snippets to release a CD of ballads on his own dime. The record, My Way, is 10 favorites such as Lou Rawls’s “Wind Beneath My Wings,” Barry Manilow’s “Somewhere in the Night” and Larry Graham’s “One in a Million You.”
Tanner is ambitious, yet self-deprecating. “I don’t really consider myself a creative person,” Tanner said. “I don’t think of my voice as unique, but for what I like to sing, it is.”
Tanner, 47, said his classical style is unusual for the country, pop and gospel tunes he favors. He hopes someday to get picked up by a major record company.
“I would like to be able to turn on the radio and hear” his singing, Tanner said. “I can sing. That much I’m confident of, but as far as the music business goes, I’m a babe in the woods.”
Tanner has gotten help maneuvering through music-industry thickets from fellow musician Sen. Orrin Hatch (R-Utah), well-known among constituents for the hundreds of religious and patriotic songs he’s written and recorded.
Hatch circulated Tanner’s CD among some of his industry connections, including his attorney. “He’s a real talented guy with a lot of ability and a real tender story,” Hatch told The Hill. “I think he deserves a lot of credit. I’d like to help him if I could.”
Oddly, the pair can’t seem to agree on how they met.
Tanner said Hatch called him into office last November after hearing My Way, given to the senator by one of Tanner’s employees. Hatch countered that it was Tanner who approached him.
Tanner said Hatch suggested he could sing with the Mormon Tabernacle Choir someday. Hatch said he never said such a thing, though he had mentioned that gospel singer Wintley Phipps, of a similar vocal strain as Tanner, had sung with the famous choir.
“He’s 72 [actually, 71], so I’ll give him a break,” Tanner said. “I’m not going to call him a liar. If he says he didn’t say it, I really don’t want to make him mad. It’s more important to keep him on my side. He may have forgotten. He’s kind of in the business of running the country.”
Senatorial quibbles aside, Hatch has agreed to let Tanner record four of his compositions on Tanner’s upcoming CD and a single Hatch wrote dedicated to boxing legend Muhammad Ali.
Tanner is a busy man. Besides his nocturnal work in the Senate, he has a full-time day job as a manager of base operations services at the National Geospatial-Intelligence Agency in Bethesda. And he has a consulting company on the side.
Music is his first love. Tanner dreamed of cutting a record since he was voted most talented by his high school class 30 years ago. He studied sociology and music at Central Missouri State University, where he received formal vocal training.
After college, he put his dreams on hold when he met his wife.
“I took the safe route: worked, had a family,” said Tanner, a father of two daughters, one of whom will attend college next fall. Now that the nest is emptying, Tanner has returned his energies to music.
In August he released My Way, which cost him $16,000. With only 2,000 copies of the CD cut, Tanner isn’t likely to make a profit.
So far, sales have come mainly from friends, fellow parishioners at his church and patrons of Nick’s country bar in Alexandria, where Tanner is a regular karaoke favorite.
The Capitol Hill employee sees the ordeal as training for his next CD, due out in late spring. If he hits the big time, great; if not, Tanner’s not worried: “I don’t necessarily need the money, so I might as well take that chance.”